quote:

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Originally posted by jordanturbo
sandstorm is the shit i have just that one song on repeat on my ipod so the party never stops, though I just heard this sweet song by scatman john called im a scat man, hoolllyy shit i think its my new fav

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Originally posted by iLLlegal
oh and go listen to some stuff at the club its a whole other story. if you're drunk even better :D . Tiga was off the hook when he came here and same with MSTRKRFT.

my buddy dj's at club 9 so they play some good shit. and I think Halo on saturdays has house music i still gotta check that place out

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Originally posted by Jayturbo
I hate that shit soooooo much

I just cant listen to it, very annoying, to me its like backround noise, kinda like when the TV is on the snow channel.

I usually make fun of people who listen to it!

Its all about the emo/punk scene. The Almost is the shit.

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quote:

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Originally posted by fugumerkur
Your my hero. FAG

:edited to add the word - FAG

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quote:

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Originally posted by jordanturbo
haha coming from the guy that drives an ulgy slow ford haha

ohhh i get it

Ford's Are Gay

best responce eva

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quote:

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Originally posted by AudiInProgress
There's no "C" in the word RESPONSE... Asshole.

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Originally posted by bananaboat
The fact that music to you is about "the scene" and not music itself shows what a poser you are. In fact, emo and punk are two very different types of music; their only commonality is that "the scene" for both types of music generally comprises kids looking to identify with a certain stereotype. Punk is a purposeful form of music with anti-establishment themes. Emo, on the other hand, doesn't mean much at all. It's a term that encompasses any indie that sounds like it's crying. It's more often used to describe a style of dressing and a way of acting.

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Originally posted by Prudz_lude
honestly i think you are just out of the loop. Welcome to Alberta, the music is still pretty small but over the last few years it has been growning rapidly here. If you have not realized we have been getting tons of huge shows and the crowds are showing their love and support.

Go around the rest of the world and this music dominates the marjority of radio stations. In Europe they have countless stations that are only trance. Specialized stations that revolve around specific sounds of trance.

It is just Alberta, don't let haters get you down. They are the ones missing out on the fun. If you were at Tiesto this year you would have seen how sick that crowd was. Easily the best show of the year imo. This year we have already has some really good shows. Of course they can be read up in the Upcoming DJ events in the entertainment section.

I like how my friend put it "it is modern classical music, the equvilant of classical music of the past" What he means is it revolves around the exact kind of structure that claisscal music does. If you ever actually listen and study both you will realize both use the exact effects for uplifting human emotions. It is pretty crazy. That is why you can get crazy chills listening to trance. It puts your body in a state of trance, or does for me for the most part :thumbup: And to all the haters i don't mean only when you are fucked up on ectasy. You don't need to do drugs for this music to sound great. That is one of the stupid sterotypes society labels this music with but that is a whole other debate.

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Originally posted by Jayturbo
Your refernce to modern classical music is so retarded, you're such a fag. I would like to know how you can back that up considering I doubt you have a degree in music.

Every time I read one of your posts I get dumber.

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Originally posted by oldraven
As much as I enjoyed my Daft Punk and Chemical Bros. back in the day, I have to roll my eyes when someone compares the work of a DJ to that of a Classical Composer. I'd have a hard time believing Mozart ever said "Now Claus, just keep doing that on the French Horn for a few minutes."

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quote:

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Originally posted by Prudz_lude
That is not what i said at all. I never said that the music produced can be compared. I said that the structure has tons of similarities.

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quote:

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Originally posted by Prudz_lude
Fuck yourself jason. You're just a fucking ignorant tool and it is clear you do not understand muscial structure at all. There are ton of similarities between trance and classical music.

For someone who claims to be so educated you really prove how ignorant you are. Ohh wait, you don't claim to be educated, you claim to be a rich guy who rapes 14 year olds. :thumbup:

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quote:

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Originally posted by Jayturbo
First of all,Those 14 year olds are more than willing, trust me : )

Look fucktard, do you even play a musical instrument? ( I play guitar BTW and grew up in a musical household )

You are trying to back something up with your own opinion. Lots of similarities... like what... the fact that classical music was played by an orchestra with dozens of musicians and instruments... and techno is made on one keyboard????

WHAT THE FUCK DO YOU KNOW ABOUT MUSIC STRUCTURE, CONSIDERING I STRONGLY DOUBT YOU CAN EVEN READ MUSIC.

Seems to me you cant read in general, maybe if you read a book once in a while you wouldn't make yourself look like an idiot everytime you opened that cockhole you call a mouth : )

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quote:

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Originally posted by Jayturbo

and techno is made on one keyboard????

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quote:

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Originally posted by Jayturbo
the fact that classical music was played by an orchestra with dozens of musicians and instruments... and techno is made on one keyboard????

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quote:

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Originally posted by Prudz_lude
I to come from a musical household. Bite your tongue before you speak. I played bass guitar for a good 6 years you faggot. Your posts make the rest of this forum dummer and the fact that they are even siding with you just reinforces their ignorance as well.

Classical music is based on repeating different themes in different ways. For example, one of the things Mozart commonly associated with his music was the seprano section would have a theme and they would hold the theme for a while and then alto section would lead the theme or have a solo of that same theme. That same theme would be played repeatedly through out the song. This is exactly what trance does for a large majority of songs.

Mozart, Brahms, Schunan for example use the same themes in the backgrounds of their pieces (over lying motif) They would use single sounds/notes/phrase and have it played repetively to build tention, building the climax. This is exactly what trance does. They would build the songs struture in a way so that when to song reache its climax it would be fortissimo, just like trance does.

The dynamics of a classical song and a trance song both require a trained ear to be able to differenciate all the different noises, to be able to hear the subtleties in each song, and the complexities.

Jason, like i said, go fuck yourself. Saying something stupid like "Lots of similarities... like what... the fact that classical music was played by an orchestra with dozens of musicians and instruments... and techno is made on one keyboard????" just proves how stupid you are.

Prudz_lude: 100
Jayturbo: fag

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quote:

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Originally posted by fugumerkur
You are stuck in 1985 with that comment.

A keyboard, or synth (Synth being a keyboard with keys programmable with samples taken from any form of music being classical rap, hip hop, pop or what ever, even country if the track is themed that way. Is used and multiple keyboards and synths along with the same mixers and equalizer equipment used in any form of music being professionally produced.

Don't assume if you don't know.... Oh yeah, Drum machines with samples from Real fucking drums mind you are also used in the production of "techno"(back in the late 80's and early 90's live vocalists were used as well as live drums , keyboards and guitars in live shows and sets put on by Live DJ's.

The key to the music comes from the Dj who takes the Track and uses it as a template, the Dj then mixes the same Vinyl on his other turntable to use different elements of the track or to cut the track short, lengthen it ect by crossfading and using the high mid and low cut knobs. Basicallly manipulating the track to the crowds liking. Then he switches to another vinyl with similar BPM (Beats per minute ) and mixes the track out.

The Dj can do this for hours on end catering to the crowd and how they are enjoying it. Hence why listening to it "MIXED" live makes it so much more enjoyable. you wouldn't listen to your favourite rock band without turning it up, same effect goes for electronica.


Fords are gay. Your so smart.! Must be all the 14 yr olds your hangin out with.

Have you driven my mustang, have you seen it, do you know anything about it?? Again you are assuming...

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quote:

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Originally posted by fugumerkur
Hey Jordan Turbo. Read this ..


Straight from Wikipedia

Effect on mainstream popular music
Around the mid-1990s, with the success of the big beat-sound exemplified by The Chemical Brothers and The Prodigy in the UK (due in part to the attention from mainstream artists like Madonna), music of this period began to be produced with a much higher budget, production values, and with more layers than most other forms of dance music before or after, since it was backed by major record labels and MTV as the "next big thing".[6]

According to a 1997 Billboard article, "[t]he union of the club community and independent labels" provided the experimental and trend-setting environment in which electronica acts developed and eventually reached the mainstream. It cites American labels such as Astralwerks (The Future Sound of London, Fluke), Moonshine (DJ Keoki), and City of Angels (The Crystal Method) for playing a significant role in discovering and marketing artists who became popularized in the electronica scene.[2]

Hip-hop music had been influenced by electronic music from the beginning, inspiring the genre of electro and such artists as Afrika Bambataa, Public Enemy and Uffie.[citation needed] Rock, synthpop, New Wave and goth music of the 1980s was often heavily electronic in production or form, particularly Madchester bands in the United Kingdom, which had a close connection to the rave scene.[citation needed] New Order, a rock band which had a series of "electronica" hits before the term was coined, exemplified the techno inspiration increasingly common during the '80s era.[citation needed]


The adoption of elements of electronica by several of the world's most popular rock bands was also seen beginning in the mid 1990s, for example U2's Zooropa (1993) and Pop (1997) albums, Radiohead's OK Computer (1997), R.E.M.'s Up (1998), The Smashing Pumpkins' Adore (1998), Blur's 13 (1999) and Oasis's Standing on the Shoulder of Giants (2000) albums . Several of these albums were produced with electronic dance producers, such as William Orbit who produced Madonna's Ray of Light. Radiohead's 2000 album Kid A was seen to adopt less commercial styles of electronic music influenced partly by artists such as Autechre and Aphex Twin, and became the rock band's highest charting release worldwide.[citation needed] The word "electronica" was commonly applied to such releases despite large differences in style. Indeed, by the late 1990s, the word was mostly used by rock fans to describe rock and pop artists' adoption of electronic music textures (such as samples, synthesizers and drum machines) with which they were otherwise unfamiliar, as well as to label a few dance-oriented acts that achieved popularity. This was particularly true in the US where the electronic dance subculture was much less prominent.[citation needed]

In the early 2000s, electronica-inspired post punk experienced a revival, with rock bands such as Interpol and The Killers specifically drawing on the 1980s sound of New Order and The Cure. Russian duet t.A.T.u. use electronica styles extensively, and fuse it with rock styles to form an edgy electronica style which is used by many pop artists.

With newly prominent pop music styles such as reggaeton, electroclash, and favela funk, electronic music styles in the current decade are seen to permeate nearly all genres of the mainstream and indie landscape such that a distinct "electronica" genre of pop music is rarely noted. However, the word continues to be more common in the U.S. music industry for synthesized, techno-inspired pop music, as specific genres such as drum and bass and IDM never achieved mainstream attention.[citation needed]


[edit] TV Influence
In the late 1990s and early 2000s, electronica music was increasingly used as background scores for television advertisements, initially for automobiles,[21] and later for other technological and business products such as computers and financial services.

Artists who have featured electronic songs in adverstisements:

Autechre
BT
Dubfire
Junkie XL
Justice
Les Rythmes Digitales
Massive Attack
UNKLE
This short section requires expansion.

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quote:

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Originally posted by Jayturbo
You know what, I'm not gonna argue with you on this prudz.

Reason being this, Im not somebody who has studied classical music, and lets face it, neither are you. This would be an argument you would have to have in person, seeing as you or I could just go on the internet and look through hours of bullshit music theory neither of us probably cares about to support our individual argument. I know I would go to that extreme to win an argument and I am quite certain you would as well. ( if you haven't already )

SO I'm leaving this one alone, if you and your boyfriend think techno is classical for our generation, by all means, i think you guys should keep listening to it while you fuck each other : )

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quote:

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Originally posted by Jayturbo


And prudz, I'm not even close to finished making you look stupid : )

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quote:

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Originally posted by Prudz_lude
I like how my friend put it "it is modern classical music, the equvilant of classical music of the past"

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quote:

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Originally posted by fugumerkur
Hey Jordan Turbo. Read this ..


Straight from Wikipedia

Effect on mainstream popular music
Around the mid-1990s, with the success of the big beat-sound exemplified by The Chemical Brothers and The Prodigy in the UK (due in part to the attention from mainstream artists like Madonna), music of this period began to be produced with a much higher budget, production values, and with more layers than most other forms of dance music before or after, since it was backed by major record labels and MTV as the "next big thing".[6]

According to a 1997 Billboard article, "[t]he union of the club community and independent labels" provided the experimental and trend-setting environment in which electronica acts developed and eventually reached the mainstream. It cites American labels such as Astralwerks (The Future Sound of London, Fluke), Moonshine (DJ Keoki), and City of Angels (The Crystal Method) for playing a significant role in discovering and marketing artists who became popularized in the electronica scene.[2]

Hip-hop music had been influenced by electronic music from the beginning, inspiring the genre of electro and such artists as Afrika Bambataa, Public Enemy and Uffie.[citation needed] Rock, synthpop, New Wave and goth music of the 1980s was often heavily electronic in production or form, particularly Madchester bands in the United Kingdom, which had a close connection to the rave scene.[citation needed] New Order, a rock band which had a series of "electronica" hits before the term was coined, exemplified the techno inspiration increasingly common during the '80s era.[citation needed]


The adoption of elements of electronica by several of the world's most popular rock bands was also seen beginning in the mid 1990s, for example U2's Zooropa (1993) and Pop (1997) albums, Radiohead's OK Computer (1997), R.E.M.'s Up (1998), The Smashing Pumpkins' Adore (1998), Blur's 13 (1999) and Oasis's Standing on the Shoulder of Giants (2000) albums . Several of these albums were produced with electronic dance producers, such as William Orbit who produced Madonna's Ray of Light. Radiohead's 2000 album Kid A was seen to adopt less commercial styles of electronic music influenced partly by artists such as Autechre and Aphex Twin, and became the rock band's highest charting release worldwide.[citation needed] The word "electronica" was commonly applied to such releases despite large differences in style. Indeed, by the late 1990s, the word was mostly used by rock fans to describe rock and pop artists' adoption of electronic music textures (such as samples, synthesizers and drum machines) with which they were otherwise unfamiliar, as well as to label a few dance-oriented acts that achieved popularity. This was particularly true in the US where the electronic dance subculture was much less prominent.[citation needed]

In the early 2000s, electronica-inspired post punk experienced a revival, with rock bands such as Interpol and The Killers specifically drawing on the 1980s sound of New Order and The Cure. Russian duet t.A.T.u. use electronica styles extensively, and fuse it with rock styles to form an edgy electronica style which is used by many pop artists.

With newly prominent pop music styles such as reggaeton, electroclash, and favela funk, electronic music styles in the current decade are seen to permeate nearly all genres of the mainstream and indie landscape such that a distinct "electronica" genre of pop music is rarely noted. However, the word continues to be more common in the U.S. music industry for synthesized, techno-inspired pop music, as specific genres such as drum and bass and IDM never achieved mainstream attention.[citation needed]


[edit] TV Influence
In the late 1990s and early 2000s, electronica music was increasingly used as background scores for television advertisements, initially for automobiles,[21] and later for other technological and business products such as computers and financial services.

Artists who have featured electronic songs in adverstisements:

Autechre
BT
Dubfire
Junkie XL
Justice
Les Rythmes Digitales
Massive Attack
UNKLE
This short section requires expansion.

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quote:

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Originally posted by jordanturbo
Um I think you got the wrong guy there are two turbos one Jordan one jason, i made the comment about liking sandstorm (which i actually do, and i do blaze scatman at the hill when i am getting ready for snowboarding so everyone can listen, I was actually serious) and your gay ford, i didnt get involved in the theory conversation, but since you brought it up, I own a guitar, so i know more than everyone including jay, you are all idiots, and I am the greatest. Prudz you are just upset that jason deleted you from his facebook lol

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quote:

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Originally posted by Jayturbo
I owned you on facebook too muah muah muah

BTW you look like a dork.

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quote:

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Originally posted by jordanturbo
Im not a dork, I may be overweight, have a pizza face, and glasses, but i def dont look like a dork. Im strait rig pig gangsta

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quote:

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Originally posted by Jayturbo
LOL look fucktard, i just used the "scene" as a refernce to the music, sounds to me llke you are a lot more into the scene than I am, seeing as I didnt know any of the shit you just said.

The only thing I know about emo is this, emo girls turn me on, emo guys look gay. Thats about al I need to know.

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quote:

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Originally posted by Jayturbo
YYYEEEEEE HHHHHAAAAAWWWWWWW

OOOIIIILLL MONEY!!!!

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Originally posted by EK9Hatch
I hate it mostly due to its homosexual relations.

I once did a poll, and 9 out of 10 homosexual men loved Electronica.

Jamie

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Originally posted by Jayturbo
Soprano- Refers to a singer.... just like baritone ( you sure owned me! )

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Originally posted by fugumerkur
Being homosexual to listen to techno as a reference would be like me blatently saying those who drive white civics have little penis syndrome.

I listen to about 60% techno and 40% edmonton radio.

So I am only 60% homo then Jamie???

Please put a link in here proving that you have to be gay to listen to techno and i'll take you seriously.! :thumbup:

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Originally posted by joshturbo
who cares if your 60% gay. keep it in the closet ..... lol

music is just personal preference who cares what others think.
i dont Give a F%$^ what people think of me or the msic i listen to

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quote:

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Originally posted by fugumerkur
Being homosexual to listen to techno as a reference would be like me blatently saying those who drive white civics have little penis syndrome.

I listen to about 60% techno and 40% edmonton radio.

So I am only 60% homo then Jamie???

Please put a link in here proving that you have to be gay to listen to techno and i'll take you seriously.! :thumbup:

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Originally posted by oldraven
uuhhh...... what?

They're a lot broader terms than simply a singer's vocal range. I mentioned earlier that I played a Baritone B.C. (Bass Clef), which is a compact Tuba, and Kenny G rocks out on a Soprano Saxophone.

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quote:

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Originally posted by Jayturbo
Not you, you big dummy. ... prudz

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quote:

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Originally posted by Jayturbo
Is your name Adam Blackwood?

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quote:

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Originally posted by Jayturbo
RED HAIR? WHAT THE FUCK ARE YOU ON DRUGS?

THEM'S FIGHTIN' WORDS....

Callin me a red head? You just crossed a line you shouldn't have crossed.

My hair is beautiful and blonde, very Paul Walker-esque.

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quote:

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Originally posted by Prudz_lude
rocking a nice shirt sitting on a chair

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quote:

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Originally posted by EK9Hatch
LMAO :lol: Thats hilarious! hahahaha

Jamie

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Originally posted by EK9Hatch
No, everyone knows its guys that drive Corvettes that have small dicks, not Civics. Guys that drive civics are just poor :p

As for my study, it was completed in 2005, so I'll have to dig out all my papers. I don't have a scanner though...but I can mail you a copy if you like. Just send a prepaid, self addressed envelope to me.

Like I said, it was 9 out of 10...so maybe you fall into that very small 10% that are not homosexuals.

Jamie

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quote:

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Originally posted by GQsmooth
nah he was right the first time about the white civics lol

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quote:

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Originally posted by fugumerkur
Its just like any thread in this forum, its the who is better than who highschool bull shit!

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